KV d C-dur. Regina coeli, C major, K. This set contains both Grainger's and Stokowski's endings Grade 5 orchestration. Carry Me Back to Old Virginny 2. My Old Kentucky Home 3.
Violin Concerto in E-flat major: Full Score [A6343]
Jeanie with the Light Brown Hair 4. Old Folks at Home 5. Camptown Races. Giacomo, ed. Verdi, Giuseppe, arr. No individual parts available. Educational edition, Level 5. Arban, Jean-Baptiste; transc. The score listed available for purchase is in miniature score format. Bach, C. Key altered from original C minor.
Individual wind parts are not available for this edition. Symphony no.
- List of compositions for viola: I to K.
- List of compositions for viola: I to K!
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Allegro, II. Andante, III. Menuetto-Trio, IV. There are minimum order requirements on all string parts of: Helena St. Lucia St. BF65 Usually ships in 24 hours.
Compositions for viola
Progressive Trios for Cello. BF64 Usually ships in 24 hours. Progressive Trios for Viola. BF63 Usually ships in 24 hours. Progressive Trios for Violin. BF62 Usually ships in 24 hours. Quasi Hoquetus.
Full text of "American Composers A Record Of Works Written Between And Second Edition"
By Sofia Gubaidulina - Composed in original instrumentation was viola, bassoon and piano , this work harks back to the medieval technique of the hocket which comes from the Breton word for hiccups. It is a technique in which a melody is broken up into fragments which then roam through all the parts in an open, filigree texture.
In Gubaidulina's work, however, the hocket embraces not only the melodic parameter, but also and above all the harmony and timbres of her material. The filigree writing consolidates itself gradually into a linear continuum, whereby spiritual symbolism in the form of cross and number figures e. The work pledges a certain allegiance to tradition in its distinct formal, harmonic and tonal structure and in its obvious references to Johann Sebastian Bach.
However, it is also genuinely and refreshingly innovative, particularly in the treatment of the harmonics in the viola, the multiple stops on the bassoon and the clusters in the piano. Brought to a consummate synthesis in this masterful chamber music work, these two aspects - tradition and innovation - reflect Gubaidulina's uniquely personal relationship to her heritage. My ideal is a relationship to tradition and to new compositional means in which the artist masters all of these means both new and traditional- but does so in a way that makes it seem he is paying no attention to either of them.
It currently contains approximately 10, entries. This pages lists composers whose surname falls into the A to B alphabetic range. This pages lists composers whose surname falls into the L to N alphabetic range. This pages lists composers whose surname falls into the F to H alphabetic range. This pages lists composers whose surname falls into the O to R alphabetic range.
This pages lists composers whose surname falls into the T to Z alphabetic range. This pages lists composers whose surname falls into the C to E alphabetic range. This pages lists composers whose surname falls into the S alphabetic range. This is a non exhaustive compilation of pieces for solo violin. See also the entries on violin and the List of compositions for violin and orchestra and list of compositions for violin and piano.
Ordering is by surname of composer. Improvisation; 2. At the time of its composition in , Mozart was on a tour of Europe that included Mannheim and Paris. Mozart had been experimenting with the sinfonia concertante genre and this work can be considered his most successful realization in this cross-over genre between symphony and concerto. Instrumentation The piece is scored in three movements for solo violin, solo viola, two oboes, two horns, and strings, the latter including a divided viola section, which accounts for the work's rich harmony.
The solo viola part is written in D major instead of E flat major,[a] and the instrument tuned a semitone sharper scordatura technique , to give a more brilliant tone. This technique is uncommon when performed on the modern viola and is used mostly in performance on original instruments.
The viola sonata is a sonata for viola, sometimes with other instruments, usually piano. The earliest viola sonatas are difficult to date for a number of reasons: in the Baroque era, there were many works written for the viola da gamba, including sonatas the most famous being Johann Sebastian Bach's three, now most often played on the cello in the Classical era and early Romantic, there were few works written with viola specifically in mind as solo instrument, and many of these, like those of the Stamitz family, may have been written for the viola d'amore, like most of their viola works—though it is now customary to play them on the viola; it was more typical to publish a work or set, like George Onslow's opus 16 cello sonatas, or Johannes Brahms's opus clarinet sonatas in the late 19th century, that specified the viola as an alternate.
Two early exceptions were the viola sonatas of Felix Mendelssohn , posthumously published around and the opus 1 sonata of the composer Ernst Naumann —. Wolfgang Amadeus Mozart — was a prolific composer and wrote in many genres. Perhaps his best-admired work is in opera, the piano concerto, sonata, the symphony, the string quartet, and string quintet. Mozart also wrote many pieces for solo piano, other forms of chamber music, masses and other religious music, and numerous dances, divertimentos, and other forms of light entertainment.
How Mozart's compositions are listed The indication "K.
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This catalog has been amended several times, leading to ambiguity over some KV numbers see e. Symphony No. The compositions of Mozart listed below are grouped thematically, i. This is a selected list of musical compositions that feature a prominent part for the natural horn or the French horn, sorted by era and then by composer. Wenster J:1—17 Concerto ex Dis Dur [i. Karlheinz Stockhausen in A list of compositions by Karlheinz Stockhausen alphabetical by title—a link to a chronological list is given at the end. A Adieu, for wind quintet flute, oboe, clarinet, bassoon, and horn , Nr.
This is a list of compositions for cello and piano. This includes sonatas as well as other short pieces for cello and piano. This is a list of musical compositions for cello and orchestra ordered by their authors' surnames. List of cello concertos A Samuel Adler b.
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Igor Stravinsky around This is a list of compositions by Igor Stravinsky. Dmitri Shostakovich in This is a list of compositions by Dmitri Shostakovich. By genre Symphonies Op. The German title means "a little serenade", though it is often rendered more literally but less accurately as "a little night music". Alfred Schnittke This is a list of compositions by composer Alfred Schnittke. Orchestral Symphonies Symphony No. Florian" Symphony No. Anh e , is an incomplete composition by Wolfgang Amadeus Mozart Background Mozart is believed to have started work on this concerto around the same time as the Sinfonia Concertante in E-flat major K.
Completions Several composers have completed the movement. Around , Otto Bach composed a completion which Dennis Pajot described as having a very obvious join between the part written by Mozart and the part written by Bach. Levin wrote a completion that was more sympathetic to the surviving material.
Flute repertoire 1800 - 1900
The following is a non-exhaustive list of notable compositions for the harp. This is a list of compositions by the American composer Amy Beach — , mostly issued under the name Mrs. Opera Cabildo N. Stephens , solo voices, chorus, speaker, violin, cello, piano, ; Athens, Georgia, 27 Feb , Op. Martinez, Eng.