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From Wikipedia, the free encyclopedia. List of famous pieces [ edit ] La Jeune Fanfare. Marche facile pour Piano Fantaisie Joyeuse. Violin and Piano Chant d'Adieu. Violin and Piano Doux Souvenir.
Morceau sentimental pour Piano Fantaisie Pastorale. Violin and Piano Fantaisie Mignonne. Categories : Classical-period composers deaths births 18th-century classical composers French male classical composers French classical composers 18th-century French composers French composer stubs.
Fodéba Keïta ()
Namespaces Article Talk. Two years afterwards he published a suite of piano pieces, and in he brought out his first collection of songs which included Chanson triste and Soupir.
Her prayer is granted when a stranger calls and takes her on a nightmare ride across country to a graveyard where he reveals himself to be Death in person. These were produced during the extended rush of high inspiration that lasted throughout his early manhood. As a perfectionist who was his own severest critic, he ceaselessly revised and polished them, destroying far more than he ever allowed to be published.
Apart from music his chief interests were philosophy, literature and painting, though his heavy moustache and military bearing were at first sight oddly incompatible with the tender, delicate songs he composed.
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When working he needed absolute silence and could not bear the slightest interruption. He wrote with a triple-pointed gold nib thick enough to indite a filled-in note at a stroke. All composition ceased, though, in his mid-thirties when he was attacked by an obscure nervous disease. Then he began to lose his eyesight and, despite an operation for glaucoma, went to all intents and purposes blind. The last forty years of his life were sustained by religious resignation and hopeful trips to Lourdes. The joys of music are of little account compared with the Peace He gives.
When Baudelaire published his Les Fleurs du mal from which it comes, he said he hoped that some composer of genius would set the verse and offer it to the woman he loved.
Un chant d'adieu (Caruso)
That is precisely what the twenty-two year-old Duparc did, for he dedicated it to his wife, an Irish girl from County Cork. The impressionistic accompaniment, so exquisitely attuned to the words, creates a luminous haze with its harmonic fluency and serene rhythms.
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Extase and Testament show that even when Duparc set minor poets like Lahor and Silvestre, the middling quality of the words by no means hampered the flow of his genius.