A coda is provided simply by extending the fifth theme.
Eschewing the strictures of classical form this is a movement that celebrates the surging melodies which came so naturally to the composer. The enchanting third movement, a gentle scherzo, is rich with folk flavour. The accompaniment for the first theme, a waltz which we hear four times, is based on characteristic techniques of the cimbalom, a folk dulcimer.
The second theme, introduced by the piano, is modal and Eastern European sounding, a cello drone reminiscent of the Czech bagpipe. A teasing, asymmetric trio tune follows, comically suffering a heavy and wild exaggeration in the repeat.
Program NotesBrentano Quartet
The somewhat histrionic tone is carried through to a link of shimmering scales which lead back to the opening, the waltz and folk tune explored further before a gentle coda based on the waltz theme, two unexpected final chords echoing the bluster of the trio. The finale is brimful of new music - stretto style writing with dovetailed ideas and pacy, keen accompaniment result in a breathless race-to-the-finish feel.
It is mostly in the unusual choice of E flat minor but the sweet second subject, usually in the viola, ensures we land back safely if a little shaken in the home key before reaching the finish line.
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Piano Quartet No. 2 in E-flat major, Op. 87, B. 162
Lilli Maijala. Allegro con fuoco 2.
What they offer is a rather cool approach characterized by precise, well-planned playing. The opening Allegro con fuoco has plenty of dynamic contrast in a cleanly romantic approach. The cello sings ardently early in the Lento , whose climaxes are explosive. The Busch Trio handles the Allegro moderato grazioso with elegance, resisting any temptation for schmaltz in the trio.
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The Piano Quartet No. The variations dance along in the Andantino , and the Finale swings. Perhaps the Busch compensates for the musically weaker content of the first piano quartet by ratcheting up the charm where it is most needed. Pianist Omri Epstein and cellist Ori Epstein are Israeli brothers, and the three formed their ensemble in London in There are many fine versions of these two piano quartets.
Piano Quartet No.2 in E flat major, op. 87
These stand with the best. The wonderful Domus performances sound somewhat dated, simply because of the superior recording quality of new versions such as this. The Alpha recording is open and expansive, with clear instrumental separation, a good balance between strings and piano, and plenty of detail. Richard Kraus.
- Piano Quartet No. 2 in E-flat major, Op. 87, B. - Antonín Dvořák.
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