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His blues-based riffs and solos impressed boys but their effect was particularly evident on his female listeners, which was odd because Clapton hardly seemed the obvious pop star type. He was handsome, but not spectacularly so. What imbued him with a special charisma was his seriousness.


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On a mission to expose the music of the US south to a new audience in as pure a form as possible, he captured the raw emotion of the sound he loved enough to transfix his young listeners. A generation was discovering an alien language with which they instinctively felt at home. Clapton was not alone in this among young British blues musicians but he was certainly a figurehead. He moved on to join Jack Bruce and Ginger Baker in Cream, the trio that established the template for all forms of heavy rock, and thence to a solo career that, at its height, earned him six Grammy awards in a single year and a record-breaking run of 24 nights at the Royal Albert Hall.

Clapton collected Ferraris like he had once collected Dinky Toys, with an obsessive enthusiasm that tended to fade as soon as the desired object was in his possession.

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Clapton, Edge of Darkness. Da Capo Press.


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